Miami, Florida – A significant dispute over intellectual property rights has erupted within the Cuban music scene based in South Florida, pitting a reggaeton artist against established figures in the industry. Óscar Segundo, widely known by his stage name El 2Chun, a Miami-based Cuban reggaeton artist, has leveled serious accusations against fellow singer Bebeshito and Italian producer Roberto Ferrante, who owns Planet Records, alleging an attempted illegal appropriation of his song, “Perriña.”
The allegations surfaced publicly through El 2Chun’s active social media presence, where he has been detailing his claims, providing what he asserts is evidence, making public statements, and sharing videos to substantiate his case. The artist emphasizes the gravity of the situation by drawing a stark contrast between legal environments, stating, “This is the United States, not Cuba,” implying that the robust legal framework for intellectual property in the U.S. offers protections he intends to utilize.
The Genesis of the Conflict
At the heart of the dispute is the track “Perriña.” El 2Chun asserts that he is the rightful and legal author and composer of the song, a status he claims to have held since 2020. Further supporting his claim of ownership, he states that he officially registered the song with the American Society of Composers, Authors, and Publishers (ASCAP), a prominent performing rights organization in the United States that protects the copyrights of its members’ musical works.
According to El 2Chun, the alleged attempt to appropriate the song commenced after the track began to gain significant traction organically on his YouTube channel. This suggests that the dispute escalated only after the commercial potential and popularity of “Perriña” became evident.
Evidence Presented and Public Discourse
To bolster his public claims, El 2Chun has shared evidence directly with his followers and the wider public via social media platforms. Among the materials he has posted is an older video clip that reportedly shows him in a recording studio with Bebeshito. El 2Chun indicates this clip predates the official release of “Perriña” and captures a moment when they were working on the song together. This piece of evidence is presented as proof of his prior involvement and contribution to the track.
The single “Perriña” was officially released in October 2024. It appeared as part of the album titled “Sin Rutas,” released under the independent label Fn Record Inc. El 2Chun’s narrative implies a timeline where his authorship and registration predate the song’s release, and the alleged appropriation attempt followed its organic success online after its official launch.
Legal Implications in the United States
El 2Chun’s pointed remark, “This is the United States, not Cuba,” underscores a critical aspect of his stance. He appears to be highlighting the significant differences in legal systems, particularly concerning intellectual property rights and enforcement. In the United States, copyright law provides creators with exclusive rights over their original works, including musical compositions and sound recordings. Organizations like ASCAP play a vital role in licensing, collecting, and distributing royalties to songwriters, composers, and publishers. Registration with such organizations and the U.S. Copyright Office establishes a public record of ownership and is often a prerequisite for filing infringement lawsuits.
By mentioning his ASCAP registration and the location of the dispute (Miami, United States), El 2Chun signals his intent to potentially pursue legal avenues available under U.S. law. He has publicly stated that he is considering taking the case to court if the conflict cannot be resolved through other means. This potential legal action would bring the matter into the formal judicial system, where evidence and legal arguments would be presented to determine the rightful ownership and any potential infringement.
Silence from Accused Parties
As of the time of reporting, neither Bebeshito nor Planet Records, the label associated with Roberto Ferrante, have issued an official response to the specific allegations made by El 2Chun regarding the song “Perriña.” The lack of a public statement from the accused parties leaves their perspective on the situation unknown and contributes to the ongoing nature of the dispute primarily playing out on social media.
The unfolding situation highlights the complexities of music production, collaboration, and intellectual property rights in the digital age, particularly within dynamic and internationally connected music communities like the Cuban diaspora scene in Miami. The outcome of this dispute, whether settled privately or through legal means, could have implications for how authorship and ownership are perceived and protected within this segment of the music industry.
